Trash & Treasure
P5js & Max final project for The Musical Web, School For Poetic Computation 2024
satyrical, sensual, interactive web-based sound and image collage that was born of observation, rumination, “chance” encounters, half memories, and a trail of bread crumbs. It started with an intent to engage the senses while on/in screens, to pique curiosity, to incite a slowing down and grounding into the pre/post-human world via a digital space and possibly even coax a haptic, tactile, analog feeling. It ended up becoming an open door where there was previously a dead end (for me anyway). Releasing sound work on the internet has felt largely unappealing, rote and restrictive. As rudimentary as this project is, it functions as a means of releasing music and sound work that is still within the body it came from, within the world of my practice instead of a severed fragment of my practice adrift inside of structures that weren’t designed with multidimensionality in mind.
P5js & Max final project for The Musical Web, School For Poetic Computation 2024
satyrical, sensual, interactive web-based sound and image collage that was born of observation, rumination, “chance” encounters, half memories, and a trail of bread crumbs. It started with an intent to engage the senses while on/in screens, to pique curiosity, to incite a slowing down and grounding into the pre/post-human world via a digital space and possibly even coax a haptic, tactile, analog feeling. It ended up becoming an open door where there was previously a dead end (for me anyway). Releasing sound work on the internet has felt largely unappealing, rote and restrictive. As rudimentary as this project is, it functions as a means of releasing music and sound work that is still within the body it came from, within the world of my practice instead of a severed fragment of my practice adrift inside of structures that weren’t designed with multidimensionality in mind.