Gaurding The Gates I
Tremulations
Nymph
River Wye Plasma
Seven Blue Maps
Azure Vault
Dead Reckoning
Corporeality
Sun In Saturn
Rhizomatic Repair Trailing
Channel From Root To Crown
Slugs On Skirting
Twin Origin
Resting Eye Monument
Untitled, I, II, II
Prenatal Matrices
C, O, N, T, I, N, U, O, U, S
C, O, N, N, E, C, T, E, D
A Wing
As If Possessed
Veriditas
Because I Was Standing
The River Is Bending
Trash & Treasure
Tremulations
Nymph
River Wye Plasma
Seven Blue Maps
Azure Vault
Dead Reckoning
Corporeality
Sun In Saturn
Rhizomatic Repair Trailing
Channel From Root To Crown
Slugs On Skirting
Twin Origin
Resting Eye Monument
Untitled, I, II, II
Prenatal Matrices
C, O, N, T, I, N, U, O, U, S
C, O, N, N, E, C, T, E, D
A Wing
As If Possessed
Veriditas
Because I Was Standing
The River Is Bending
Trash & Treasure
Trash & Treasure
P5js & Max final project for The Musical Web,
School For Poetic Computation, 2024
satyrical, sensual, interactive web-based sound and image collage that was born of observation, rumination, “chance” encounters, half memories, and a trail of bread crumbs. It started with an intent to engage the senses while on/in screens, to pique curiosity, to incite a slowing down and grounding into the pre/post-human world via a digital space and possibly even coax a haptic, tactile, analog feeling. It ended up becoming an open door where there was previously a dead end (for me anyway). Releasing sound work on the internet has felt largely unappealing, rote and restrictive. As rudimentary as this project is, it functions as a means of releasing music and sound work that is still within the body it came from, within the world of my practice instead of a severed fragment of my practice adrift inside of structures that weren’t designed with multidimensionality in mind.
P5js & Max final project for The Musical Web,
School For Poetic Computation, 2024
satyrical, sensual, interactive web-based sound and image collage that was born of observation, rumination, “chance” encounters, half memories, and a trail of bread crumbs. It started with an intent to engage the senses while on/in screens, to pique curiosity, to incite a slowing down and grounding into the pre/post-human world via a digital space and possibly even coax a haptic, tactile, analog feeling. It ended up becoming an open door where there was previously a dead end (for me anyway). Releasing sound work on the internet has felt largely unappealing, rote and restrictive. As rudimentary as this project is, it functions as a means of releasing music and sound work that is still within the body it came from, within the world of my practice instead of a severed fragment of my practice adrift inside of structures that weren’t designed with multidimensionality in mind.
(click or tap to play)